Summary of the Article:
The article critiques the Venice Film Festival's 2025 selection, which features eight films—all directed by men—raising concerns about gender disparity in Italian cinema. The author, Arianna Finos, argues that the lack of female representation reflects a broader political and cultural issue rather than a purely artistic choice. She accuses the selection process of being influenced by political agendas, suggesting that the Italian film industry has marginalized women, claiming they lack talent or are "all murdered." The piece references Alberto Barbera, the festival's director, who acknowledges the absence of new talent but does not address the gender imbalance. The author dismisses criticisms of "woke" culture, asserting that it has not taken root in Italy, allowing such selections to occur. Ultimately, the article highlights the tension between artistic merit and systemic gender bias, framing the festival's choices as a reflection of Italy's political climate.